Lincoln Theatre Center

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Donizetti’s Don Pasquale
Anna Netrebko revives her sensational turn in this sophisticated bel canto comedy, opposite Matthew Polenzani, Mariusz Kwiecien, and John Del Carlo in the title role. Music Director James Levine conducts. When Otto Schenk’s production premiered in 2006, the New York Times called it “brilliant” and “wonderful.”

Monday, Nov 22, 7:30 pm
Kathy, Tommy and Ruth live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.

National Theatre broadcast live to cinemas around the world

Next up in this fantastic series of HD broadcasts is Nicholas Hytner's new adaptation of the classic HAMLET, which opened in November to rave reviews in London. NATIONAL THEATRE LIVE is the NT’s groundbreaking initiative to broadcast live performances of plays to cinemas and performing arts venues around the world. The first season was seen by over 165,000 people on 320 screens in 22 countries.
This new season will also include FELA!, FRANKENSTEIN, THE CHERRY ORCHARD, and the Donmar Warehouse’s KING LEAR.

The Metropolitan Operas Emmy Award winning series The Met: Live in HD 2010-11

The Metropolitan Opera’s Emmy Award–winning series The Met: Live in HD continues in its second season at the historic Lincoln Theatre. All remaining live performances begin at 10AM Pacific Time (1PM in New York), except Don Carlo and Die Walkure at 9:30AM and 9:00AM, respectively. Each live performance will be viewed in real time live around the world. Don’t miss the chance to experience the Met live at the Lincoln Theatre!

In the Art Bar: Brenda Cunningham
Brenda Cunningham is a biologist by education and career, but would like to devote more time to exploring the emotions she feels when observing the natural world. She started out with scientific illustrations, attempting to represent the subjects true to form. Although illustrations are still her base, she is beginning to step back from representation and look at emotions and movement. Brenda can be reached at bctm@fidalgo.net.